A kestrel, normally quiet on the gnarled locust branch outside my window, begins to speak in a reverberating tone
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox;
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it’s over, I want to say: all my life
I was a bridge married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
— Mary Oliver.
I have begun this blog for a few reasons. They are of no particular order, or relevance, but all wave their hands emphatically insisting upon their importance. One is that I am a storyteller, and here is where I will, in part, tell stories. Another is that through my travels, I want somewhere to check in, to report back, a log of sorts. Another reason is to report. I will be informally investigating things, working out the details of telling those kinds of stories, of acknowledging all the details in the telling of a message.
So, in honor of the fourth-realm calibre writing that I am devouring from Mary Oliver, in honor of her effervescent engagement with life, I am here, writing.